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Tim Layton uses classic black and white methods such as soft lines, deep shadows, contrast, symmetry, and natural light to bring subjects to life.
Tim Layton's fine art gallery site is located at www.timlaytonfineart.com and his personal blog is located at at www.timlayton.com -
Recent Posts
- Help Keep Classic Photography Alive – Buy Artist Original Prints
- Winter Tulips Study
- New Meetup Group in St. Louis – Urban Architecture
- I am Still Developing Film and Printing in the Darkroom in 2013
- Keeping Classic B&W Photography Alive
- One Camera, One Lens, One Film, One Developer
- A Call for Guest Writers on Analog Photography
- A Video Tour of Ansel Adams Darkroom
- Leica Overview & History Video
- Update on Studio and Upcoming Holga Wet Plate Workshops
Tim's Darkroom Corner
- 35mm SLR and Tri-X
- Archival Print Processing
- B & W Film Processing Considerations
- B/W Development Process
- Darkroom Chemicals 101
- Darkroom Prints – A Visual Comparison
- Delta 3200 B/W Film
- Diafine Developer
- Exposure Considerations for Film
- Film – What's it Made of?
- Fomapan 100 in Diafine
- Getting Started Developing B/W Film
- How to Build a UV Printer
- How to Choose a B/W Film Developer
- How to Convert LF Sheet Film Holders for Dry Plate
- How to Determine Base Exposure for Contact Prints
- How to Develop B/W Film
- How to Develop B/W Film Video
- How to Expose for Shadow Detail
- How to Make a Contact Print
- How to Make a Proper Proof
- How to Make an Enlarged Print
- Make Fixer & Stop Bath
- Road to Fine Art Prints
- Small Format Black & White Photography Considerations
- Testing Fine Art Baryta Inkjet Papers
- Why Film?
- Zone System Strategy for Roll Film
Popular Articles
- 3 Reasons Why I love the C220 TLR from 1968
- A Plea for Art Photography in America
- Choosing a Slide Film for Landscapes
- Difference Between a Good Photography and an Artistic Photograph?
- Does Technology make Photography Better?
- Film – A Long Term Image Protection Strategy?
- Film vs. Digital – I Could Puke!
- How to Make a 19th Century Van Dyke Print
- How to Make Salt Prints from the 1830's Today
- Mamiya RZ67 and Macro Photography
- Need Inspiration?
- Nikon F5 – Still Tops in 35mm
- Snow Photo Tips
- Testing Fine Art Digital Papers vs. Gelatin Silver Darkroom Prints
- Tri-X and 35mm SLR – Best Value in Town
- Turn Your old 35mm into a 21MP DIgital Camera
- Understanding a Photograph
- Understanding Human Eyesight and Composition
- Using Large Format to Photograph Wildflowers
- Video – Using an 8×10 Camera in the Field
- What is Fine Art?
- Why Use Film?
Hot Topics
4x5 View Camera 8x10 View Camera Adobe Alternative Processes Architecture Audio baseball Black and White Canon 1D Mark IV Canon 5D Mark II Compressor Darkroom Film Final Cut Pro Final Cut Studio flowers Fuji Hasselblad HDR HD Video indoor photography Instant Film Landscape Large Format macro Mamiya Mamiya 7 Medium Format Natural Light Nature Nikon Nikon D3s Nikon D3x Photography Pic of the Day Rangefinder Rebel T2i Software Training Tweets Velvia View Camera wet plate wet plate collodion WildlifeFilm Photography
- 120 Film Blog
- A Scanning Workflow – Part 1
- A Scanning Workflow – Part 2
- A Scanning Workflow – Part 3
- A Scanning Workflow – Part 4
- APUG Forum
- Archival Info
- Archival Print Supplies
- Art Support
- B&W Film Development
- Curling Film Tip for Scanning
- f/295 Forum
- Feeling Negative?
- Film – What's it Made of?
- Film Cameras from Calumet
- Film Development Tips
- FIlm Photo Blog
- Film Photography Podcast
- Film Recommendations at Photo.Net
- Film Resolution
- Film: The Real RAW
- FilmDev.org
- Flickr FIlm Photostream
- Fomapan 100 in Diafine
- How to Choose a B/W Film Developer
- How to Develop B/W Film
- How to Make a Proper Proof
- http://www.davidkachel.com/history.html
- Jobo Processors Video – Part 1/3
- Jobo Processors Video – Part 2/3
- Jobo Processors Video – Part 3/3
- K. Praslowicz Film Blog
- Kodak Classics
- Kodak HC-110 Film Developer
- Kodak XTOL Film Developer
- Lith Printing
- Massive Dev Chart for Film
- Michael Raso Blog
- PF Workshops
- Shop for Film at B&H
- Shop for Film at Badger Graphic
- Shop for Film at Calumet
- Shop for Film at Freestyle
- Silver Chloride Fiber B+W Paper
- Stouffer's Step Table
- T-Max B/W Development Step-by-Step
- Taking Photos in Snow
- Tim's Film Picks
- Turn you SLR into a DSLR
- Why Shoot Film in 2011?
- Why We Love Film
- Zone System 101
- Zone System Articles
Category Archives: History
The Magic of Polaroids
Tim Layton discusses a new book on the history of Polaroid cameras and shares some of his thoughts on the topic. Continue reading
Good Video – History of Photography
Tim Layton posted this video from PBS on the history of photography. It is a good investment of 25 minutes. Continue reading
What Difference is There Between a Good Photograph and an Artistic Photograph?
Tim Layton discuss the Robert Demachy article ‘What Difference is There Between a Good Photograph and an Artistic Photograph?” in 1899 in Camera Notes volume III. Continue reading
Posted in Alternative Processes, Black & White, History, Photography
Tagged Black and White, Darkroom, Film, Large Format, Photography
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Chasing the Image
Tim Layton is changing things up a little by writing about the history of photography in a new series to help photographers of all levels understand the history of their beloved art. Hopefully it is a nice change of pace and maybe you may even learn something new. Continue reading